'TOPOGRAPHY #4' - Collage, Charcoal, Graphite on Paper
Dimension: 13.78'' x 19.69''
Certification of Authenticity: Apricus Art Collection
Signature: Signed by Artist
The images in the series "Plastic Areas" * (craters, holes, depressions, pits, sinkholes etc.) are inspired from by science and art. This series deals with the idea of collapse and system failure. This is a continuation of the series 'About Forgetting' that dealt with forgetfulness and loss, as well as the correlation between natural disasters and neurological phenomens that cause personal disasters like degeneration and illness. The works in the series 'Plastic Areas' place the image of the hole/pit in various appearances, as a cognitive image that symbolizes collapse and immobilizes this state. Questions of 'before' and 'after' are raised, about the events we don't see, those we can only imagine. This is a state where the disaster is an axiom, and what is on stake is our ability to adapt ourselves and deal with known and unknown consequences.
* The term is taken from Neurology and refers to the plasticity of the neurological system that allows it to adapt its activities to changes in conditions, based on previous experiences. There are areas in the neurological system that are flexible, they are called 'Plastic Areas'. Any change of function in these areas, will cause changes in the activity of the whole system.
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BIOGRAPHY
Avivit Ballas Baranes was born in 1960 in Tel Aviv, Israel. She lived and worked in Paris from 1985 to 2005 and now resides and works in Israel. With a rich academic background in both Israel and France, Avivit has held several teaching positions and exhibited her work extensively in Israel and Europe. Her artistic career spans various media, often focusing on themes of identity, memory, and transition, integrating both visual and verbal elements into her work. Avivit's work has been exhibited at numerous prestigious galleries, including the Tel Aviv Museum of Art, and she has participated in art fairs and exhibitions around the world. She has also been recognized with several awards for her artistic excellence.
Artist Statement
The point of departure in my work is one of ideas. Through my work, I explore boundaries and definitions of place and identity, focusing on ambivalent situations expressed through images such as bridges, houses, boats, and geographical maps. I frequently examine the relationships between databases, artistic heritage, and cultural belonging. Writing is an integral part of my work, appearing within the plastic work both as a source of ideas and as a visual element. A dialogue between the image, material, and text emerges in my work, moving along the axis between the real and the conceptual.