Innocent youth

Name: Innocent youth
Brand: Giada Rotundo
Price: 600.0 USD
Availability: InStock

$600.00 USD

$4,200.00 USD

(85% OFF)

Artist: Giada Rotundo
Certification of Authenticity: Apricus Art Collection
Signature: Signed by Artist

Size:

20" x 35"

Variant

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Description

Innocent Youth is an oil on canvas painting that captures the fleeting magic of adolescence and the tender spark of early love. With vivid brushwork and a luminous palette of purples, reds, and blues, Giada portrays two young figures in playful proximity—laughing, teasing, and leaning into each other with the ease of shared joy. Their expressions, rendered with a realistic technique softened by expressive color blending, evoke the spontaneity and vulnerability of youth.

The composition focuses on their faces in profile, close yet not touching, suspended in a moment of emotional tension that is both innocent and electric. The use of oil allows for subtle transitions in tone and texture, giving the skin a warmth that contrasts with the cool background, and highlighting the emotional depth behind each glance and smile.

This painting is a celebration of connection before complexity—of the purity found in laughter, curiosity, and the first stirrings of affection. It invites the viewer to remember their own beginnings, when love was still a game, and every gesture held the promise of discovery.

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Artist Biography

Giada is an Italian painter based in Lombardy, whose work explores the complexity of female identity through realism, symbolism, and emotional depth. She graduated with honors from the Accademia di Belle Arti di Milano and has been working as a professional artist for over ten years. Her practice is rooted in oil painting on canvas, with a focus on the female figure, often portrayed in suspended moments of intimacy, resistance, and reflection.

Her compositions are cinematic and psychologically charged, combining traditional techniques with contemporary themes such as gender-based violence, ecological symbolism, and mythological resonance. Nudity, when present, is treated as a language of vulnerability and memory, never as mere display. Giada’s work has been described as visually striking and socially engaged, blending cold light, rarefied spaces, and surreal elements to evoke both personal and collective narratives.

Over the years, she has exhibited extensively across Europe and internationally, with solo and group shows in Italy, the UK, France, Germany, Spain, Portugal, Chile, and the United States. Her most recent exhibitions include:

Eterea – Tra Natura e Mito, Artroom, Genova (2025)
Dolci Assenze, Galleria Triphé, Rome (2024)
City of Stars, Iperspazio, Milan (2024)
Je sais que je suis, Galerie Grand Verre, Paris (2023)
L’essenziale è invisibile, The Copeland Gallery, London (2022)
Echoes of Antiquity, Palazzo Beneventano Museum, Lentini (2021)
Profusion, Norbertellen Gallery, Los Angeles (2020)
Body Language, Galleria Tirabasso, Milan (2019)
Differences, Spazio Serra, Milan (2018)

Her painting Night and Day was acquired into the Ceravento Collection in 2023. Giada has also participated in major art fairs and public art projects, including The Others Art Fair (Turin), Every Woman Biennial (London and Turin), and Visioni Altre Gallery (Venice).

Looking forward, Giada continues to expand her visual language through interdisciplinary collaborations and international residencies, with the aim of creating works that are both aesthetically compelling and socially transformative.

Artist Statement

Giada’s pictorial research stems from a visual and narrative urgency: to give body and voice to the female figure in all its nuances, fragilities, and powers. Graduated with honors from the Accademia di Belle Arti di Milano, she has been working as a painter for over ten years, devoting herself exclusively to oil on canvas with a realistic approach that occasionally touches on symbolism and the surreal.

Her paintings stage women suspended between intimacy and resistance, between silence and gaze. Some works explicitly address the theme of gender-based violence prevention—not through rhetoric, but by constructing tense atmospheres, ambiguous relationships, and interrupted gestures. The nude body, when present, is never exhibitionist: it is language, vulnerability, memory.

In her work, light is often cold and sharp, like frames from an inner film. The compositions unfold in rarefied spaces, where the male figure appears distant—sometimes a spectator, sometimes a shadow. Women, by contrast, are the absolute protagonists: seated, standing, reflected, immersed in silent dialogues with space or with other presences. Faces brush against each other, seek each other, mirror each other. Their gazes do not ask—they affirm.

Some recent canvases incorporate symbolic and dreamlike elements: floating coins, landscapes reflected in sunglasses, impossible garments. These details are not decorative, but fragments of a language that blends myth, future, and memory. Each painting is an attempt to portray woman as an active, complex subject—never reducible to stereotype.

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