from the series "Cracking", 2021
Artist: Simona Frillici
Certification of Authenticity: Apricus Art Collection
Signature:Signed by Artist
Description
tecnique: acrylic paint,enamel paint,print on paper, black velvet
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Artist Biography
Simona Frillici, a multidisciplinary artist, explores the connections between painting, installation, video, and photography, creating works that unite personal and collective memory with contemporary languages. After completing her artistic studies in Painting at the Academy of Fine Arts in Perugia, under the guidance of Nuvolo and Bruno Corà, Frillici embarked on a journey that expanded the traditional boundaries of painting, exploring its spatial and narrative dimensions.
In the 1990s, her works reflected an innovative use of heterogeneous materials—everyday objects, glass, plastic, and photographs—used as evocative tools to engage the viewer in a sensory and narrative experience. The images of the faces of missing people, often present in her works, take on a universal value, blending personal and collective history in a visual language rooted in artistic tradition yet projecting into the contemporary.
Frillici has exhibited in numerous prestigious venues in Italy and abroad, including the Quadriennale of Rome (2008) and international spaces such as the Wooster Arts Space in New York (2006). In 2011, she presented her first video, What is Art?, at the Venice Biennale, Italian Pavilion, Umbria Region, sparking a wide reflection on the meaning of artistic creation.
Her activity is distinguished by projects that connect local and global communities, such as Ex-Voto Suscepto (2017), a collective participation held in the 18th-century Madonna delle Grazie church in Spoleto, and Cazzotto, an art festival organized between 2017 and 2019 in Perugia in collaboration with artist Gianni Piacentini.
Since 2020, inspired by her travels in India, Frillici has been working on a series of works titled Vibrations, which explores the contrasts and harmonies between cultures through images and installations. This journey will culminate in 2025 with a solo exhibition at the Art Gallery of Banaras Hindu University in Varanasi, symbolizing a dialogue between Italian and Indian artistic traditions.
Simona Frillici continues to be a significant voice in contemporary art, capable of blending historical roots and experimentation with a unique sensitivity, offering audiences a profound and reflective experience.
Artist Statement
My work explores the intersection of image and reality, delving into the dualities of visible/invisible, appearance/essence, and image/body. In an age oversaturated with images, where time and space dissolve into a seamless reality of reproductions, I question: What is real? What is true? My art seeks to navigate this blurred boundary, engaging with "the substance of the images."
While painting is my foundational medium, photography became an integral part of my practice in the early 2000s. Faces—often found online, processed, photocopied, and reprinted—serve as fragments of identity, encapsulating fleeting moments or entire lifetimes. Through these fragments, I invite viewers to imagine the totality of a person and their life.
In recent years, my creative process has ventured beyond the studio. I’ve embraced collaborative urban and social settings, engaging both insiders and outsiders in large-scale installations. By merging photocopied faces of willing participants with acrylics and other materials, I’ve created what I call "The substance of the images"—a rich, textural exploration of image materiality.
My latest series, "Vibrations," extends from the face to the entire human figure, focusing on human reflections captured on mirrored surfaces during my travels, particularly in India. Inspired by quantum physics and the idea that "matter does not exist, and everything is vibration," these works examine the ephemeral, interconnected nature of existence.
Through my art, I aim to provoke reflection on the essence of human identity and the weightless depth of the images that define our lives.
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