COMPOSITION 60

Artist Statement

“Remember that a painting, before being a battleground, a nude woman, or any anecdote, is essentially a flat surface covered with colors in a certain arrangement.”

My work focuses on creating immersive sensory experiences between the viewer and the chromatic universe I deploy through my pieces.

​My compositions aim to free color from any figurative representation, allowing for a direct and pure interaction. I am interested in how the imagination of viewers manifests in response to these fields of color. Some feel the need to project images onto them, as an attempt to control or understand. Others, on the contrary, allow themselves to be carried away by their emotions, experiencing it in its purest form: as an encounter with color, without trying to define it.

​It is in this apparent simplicity that the greatest complexity lies. Calling my works "compositions" suggests a space for interpretation, while offering the viewer the freedom to perceive them as a private exchange with color itself.

​The techniques I use aim to minimize any visible trace of my intervention. My creative process intentionally fades into the background, making it almost impossible to guess the origin, stages, or tools used in the creation of the works. This absence of technical signature is a deliberate gesture: it frees the work from any personal imprint, making it fully autonomous.

Thus, the artwork exists on its own, in the silent interaction between its physical presence and that of the viewer who contemplates it. My role, as an artist, dissolves in this relationship, leaving the work to speak for itself.