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“Beleza Oculta do Meu Jardim I - Hidden Beauty of My Garden I"

Sale price$20,000.00 USD

Artist: Pedro Salles
Certification of Authenticity:
Apricus Art Collection
Signature:Signed by Artist


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Artist Biography

Pedro Salles was born in 1972 in Aveiro, Portugal, where he currently lives and works. Between 2004 and 2016, he lived and worked in Madrid, Berlin, and Oliveira do Hospital. Salles began his artistic studies at José Estêvão High School in Aveiro, and further honed his skills at Gulbenkian-Acav, Arca-Etac, FBAP, and ultimately completed his BA and MA at the Academy of Art University in San Francisco, California, USA.

Salles has been exhibiting his work since the 1990s in both conventional galleries and alternative independent spaces, always striving to bring his art to a broader audience and challenging the boundaries and conventions of the traditional art world. He has showcased his works across Portugal, Europe, Brazil, and Asia, and his pieces can be found in various private, public, and governmental collections. Pedro Salles believes that an artist should never give in to complacency, but must always keep pushing forward: “An artist cannot lower their arms, become comfortable, or else they give in.”

Artist Statement

For Pedro Salles, art, life, death, and the universe are all intrinsically linked. His work is deeply personal and idiosyncratic, drawing from his own experiences, traumas, desires, and visions—sometimes even from a sense of nothingness. Salles explores the human condition, the inner workings of our bodies, and the life of our planet, reflecting on its rapid deterioration as a result of human actions and inevitable climate change. He views each of his paintings as a unique landscape, always changing, as everything we perceive—even the interior of the human body, even nothingness—is a landscape.

Salles’s creative process is about deconstructing, shifting, healing, and fixing space in his artworks. His paintings, regardless of size, begin with layers of plaster, paste, tar, or asphalt—layer upon layer, each made deliberately over the other. Paint slides freely across the surface, manipulated by bursts of thinner and water, creating intentional accidents that remain. Stains, lines, and stripes of saturated pigments, both matte and glossy, are expressed on highly textured surfaces that invite touch. Powerful visceral gestures move across the canvas, bringing tension between intentional direction and chance.

His compositions pulse with unrestrained, even violent movements, subjected deliberately to fatigue and strenuous effort, capturing raw emotions. The scraped paint reveals underlying layers as though unveiling what was hidden, while cascades of light—usually white paint—interrupt the scene. His use of color and movement brings about a constant confrontation between abstract frenzy and an unexpected calmness, conveying the idea that these paintings are in perpetual flux, never fully complete, but always alive.

Salles’s sculptures—which he refers to as sculptural paintings, inseparable fusions of both forms—along with his objects, installations, and text pieces, are all created with the same mental and physical rigor as his paintings. His only rule is a constant desire to create, to stay free, restless, questioning, and curious. As he says: “An artist cannot lower their arms, become comfortable, or else they give in.”