Intimate Reflections: Sangho Han's "Self Portrait" Unveils a Fragmented Identity

Apricus Art Collection presents a raw and introspective exploration of the self with Sangho Han's "Self Portrait." This mixed-media work, a compelling fusion of drawing, painting, and sculptural elements, offers viewers a glimpse into the artist's psyche and his ongoing investigation of identity in the contemporary world.

A Deconstructed Gaze

"Self Portrait" is not a traditional representation. Instead, it embodies Han's signature approach of deconstructing the canvas, joining together various materials like canvas and wood, and treating them with acrylics, pencils, and house paint. This process results in a fragmented and layered composition, mirroring the complex and multifaceted nature of identity.

The Artist's Inner World

As Han states, "The figures drawn on the woods are a psychological anecdote of the people I have experienced in New York, and also it is self-portrait." This reveals a deeply personal connection to the artwork, suggesting that the fragmented figures represent aspects of himself and his interactions with the world around him.

Han's Artistic Vision

Han's statement provides further insight into his process: "Paintings are all connected... I'm a painter who is interested in the history of abstraction... Drawing and painting on two or three pieces of canvas, wood that have been joined together to make a one piece... The abstractions are all looking straight ahead. Most of them look at the viewer in frightened, uncomfortable or extremely unpleasant, and I was both the artist and the viewer of these paintings during the progress." This reveals a self-awareness and willingness to confront challenging emotions in his work.