The charming secret of a woman wearing a suit

Name: The charming secret of a woman wearing a suit
Brand: Giada Rotundo
Price: 1000.0 USD
Availability: InStock

$1,000.00 USD

$4,200.00 USD

(76% OFF)

Artist: Giada Rotundo
Certification of Authenticity: Apricus Art Collection
Signature: Signed by Artist

Size:

70" x 80"

Variant

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Description

In this oil on canvas painting, Giada offers a poetic and powerful tribute to LGBTQ+ love and visibility. The composition features two women—one nude, seen from behind, and the other clothed, facing her with quiet intensity. Their proximity and posture suggest intimacy, mutual recognition, and emotional openness. The nudity is not provocative but symbolic: it represents the courage to be seen, the vulnerability of love, and the freedom to exist beyond judgment.

The background, rendered in soft gradients of blue and yellow, enhances the dreamlike atmosphere, while the figures are painted with Giada’s signature realistic technique—precise, expressive, and emotionally charged. The contrast between the clothed and unclothed bodies evokes themes of identity, perception, and the layers we choose to reveal or protect.

This painting is a visual affirmation of queer love—tender, unapologetic, and human. It challenges the viewer to move beyond stereotypes and embrace the beauty of connection in all its forms. Through this work, Giada continues her commitment to social awareness, using art as a space for empathy, dialogue, and transformation.

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Artist Biography

Giada is an Italian painter based in Lombardy, whose work explores the complexity of female identity through realism, symbolism, and emotional depth. She graduated with honors from the Accademia di Belle Arti di Milano and has been working as a professional artist for over ten years. Her practice is rooted in oil painting on canvas, with a focus on the female figure, often portrayed in suspended moments of intimacy, resistance, and reflection.

Her compositions are cinematic and psychologically charged, combining traditional techniques with contemporary themes such as gender-based violence, ecological symbolism, and mythological resonance. Nudity, when present, is treated as a language of vulnerability and memory, never as mere display. Giada’s work has been described as visually striking and socially engaged, blending cold light, rarefied spaces, and surreal elements to evoke both personal and collective narratives.

Over the years, she has exhibited extensively across Europe and internationally, with solo and group shows in Italy, the UK, France, Germany, Spain, Portugal, Chile, and the United States. Her most recent exhibitions include:

Eterea – Tra Natura e Mito, Artroom, Genova (2025)
Dolci Assenze, Galleria Triphé, Rome (2024)
City of Stars, Iperspazio, Milan (2024)
Je sais que je suis, Galerie Grand Verre, Paris (2023)
L’essenziale è invisibile, The Copeland Gallery, London (2022)
Echoes of Antiquity, Palazzo Beneventano Museum, Lentini (2021)
Profusion, Norbertellen Gallery, Los Angeles (2020)
Body Language, Galleria Tirabasso, Milan (2019)
Differences, Spazio Serra, Milan (2018)

Her painting Night and Day was acquired into the Ceravento Collection in 2023. Giada has also participated in major art fairs and public art projects, including The Others Art Fair (Turin), Every Woman Biennial (London and Turin), and Visioni Altre Gallery (Venice).

Looking forward, Giada continues to expand her visual language through interdisciplinary collaborations and international residencies, with the aim of creating works that are both aesthetically compelling and socially transformative.

Artist Statement

Giada’s pictorial research stems from a visual and narrative urgency: to give body and voice to the female figure in all its nuances, fragilities, and powers. Graduated with honors from the Accademia di Belle Arti di Milano, she has been working as a painter for over ten years, devoting herself exclusively to oil on canvas with a realistic approach that occasionally touches on symbolism and the surreal.

Her paintings stage women suspended between intimacy and resistance, between silence and gaze. Some works explicitly address the theme of gender-based violence prevention—not through rhetoric, but by constructing tense atmospheres, ambiguous relationships, and interrupted gestures. The nude body, when present, is never exhibitionist: it is language, vulnerability, memory.

In her work, light is often cold and sharp, like frames from an inner film. The compositions unfold in rarefied spaces, where the male figure appears distant—sometimes a spectator, sometimes a shadow. Women, by contrast, are the absolute protagonists: seated, standing, reflected, immersed in silent dialogues with space or with other presences. Faces brush against each other, seek each other, mirror each other. Their gazes do not ask—they affirm.

Some recent canvases incorporate symbolic and dreamlike elements: floating coins, landscapes reflected in sunglasses, impossible garments. These details are not decorative, but fragments of a language that blends myth, future, and memory. Each painting is an attempt to portray woman as an active, complex subject—never reducible to stereotype.

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